It was thrilling. It was ours. As dance music bubbled up into the mainstream throughout the s, the sound splintered into genres, subgenres and sub-subgenres, with superstar producers establishing the sound and earning potential of the scene and bedroom producers evolving the music in as many directions as the decade's emerging technology allowed them to move in. Billboard's Songs That Defined the Decade With the spectrum of the genre thus continuously widening, the scene's countless artists, parties, festivals, labels, songs and genres could sometimes seem disparate, but altogether these pieces added up to nothing less than a dance dance revolution that generated excitement, money, power struggles, controversy, joy and which ultimately -- and most importantly -- made millions of us dance our asses off.

Here, Billboard Dance presents the 60 dance tracks that most defined the decade. Read our list below, and find a Spotify playlist of all 60 at the bottom.

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Chris Malinchak, "So Good to Me" With mainstream dance music sounding as thick and aggro as it had been in decades, Brooklyn DJ Chris Malinchak owned the summer of -- overseas, anyway -- with the subtle and impossibly sweet floor-filler "So Good to Me. A throwback? The past wishes. Oliver, " Light Years Away " Fools Gold DJ duo Oliver's electro-house banger sounds like how you might've imagined Daft Punk's Tron: Legacy score if it had been pitched a half-decade earlier; '80s here with a gleefully cyber-dystopic edge.

The drops might not have been able to compete with Skrillex bass bombs at EDC, but the tension that builds up with each revving of the bass makes the title hook a surprisingly satisfying shout-along. Alesso feat.

Matthew Koma, " Years " The "Clocks" for the EDM age, with Swedish progressive house producer Alesso oscillating between a cascading piano twinkle and a chest-punching synth overload, while jack-of-all-toplines Matthew Koma waxes rhapsodic with future nostalgia. And they were. It was an absurd instant classic that delivered the sound of the dance scene's origins to new audiences.

Alison Wonderland, " Good Enough " The lead track from Alison Wonderland's sophomore album, Awake, "Good Enough" is a dark, frenetic meditation on worthiness and self-esteem, outfitted with the Australian producer's own cello playing. Since her ascent, the artist born Alison Scholler has been an outspoken advocate of mental health in the electronic music realm, using her work, and her Twitter account, to frankly discuss the challenges of wondering if anything is ever, in fact, good enough.

It's an existential question we all deal with in one way or another, and one that fans of this massive, bass-y track answered with a resounding "yes. Bain Before long, tastemaking DJs everywhere were desperate to play it out. XL Recordings, then home to the likes of M. It's that perfect pocket of rhythm and creation wherein the world seems to bow toward your whim.

It's a divine way of being, and it's a mind-clearing magic Peggy Gou finds in her music-writing process. It's tropical and mysterious with a rambunctious beat and an infectiously funky synth line, while Gou's honey-drip singing voice lends a calming hand. This song slinks around the room like a powerful woman in a gauzy caftan, the kind of presence you hope lingers. Listen to it enough times, and you might fall into a here of flow, too. What is the most played song since 2000 one to cling to trends, the duo opened with a breathtaking album that blended hard, mechanical intensity and ethereal disco groove with hip-shaking funk and vocal samples from s poets.

The music video, directed by The Chemical Brothers' longtime collaborator Michel Gondry, features a psychedelic Soul Train to bring each cocky hit to life. It's a highlight of the group's live show, and a certified new classic for the ages.

This list could just as easily be headed by the work that first exploited this newly invented world, Schnee, an extraordinary hour-long ensemble piece fromas by the ravishing orchestral song cycle Let Me Tell You that followed it five years later. The vocal writing is astonishingly assured. AC Listen to the work This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase. All our journalism is independent and is in no way influenced by any advertiser or commercial initiative. As of writing, the song has enjoyed million streams on Spotify, making it the third-most-popular of Eminem's career. And what a lead single it was.

This was Eminem at his absolute peak, both artistically and commercially. The song reached number one in an astounding fifteen countries and has gone platinum in twelve, including 2x platinum in the UK, 3x platinum in Australia, and 4x platinum in both New Zealand and the United States. It's fitting that a song about Eminem's pop culture dominance proved to be one of the most popular songs of the s.

Few songs what is the most played song since 2000 as big as 'Lose Yourself' - it peaked at number one in countless countries, has been certified Diamond in the United States, became the first rap song to win the Academy Award for Best Original Song, and was one of just three hip hop songs from the 21st century to be included on Rolling Stone's Greatest Songs of All Time list.

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The song remains incredibly popular to this day, generating over 1 billion streams on Spotify. Twitter It's just over 20 years since Coldplay's first Official Chart hit — Shiver, back in March — and the band are showing no signs of slowing down any time soon. The band return with their new single Higher Power this weekwhich sees them team up with mega hitmaker Max Martin for the first time. He also claims to have fainted in a restaurant while taking a break from recording, with producer Jeff Bhasker having to carry him back to the studio. The track was inspired by frontman Will. Justin Timberlake — Can't Stop the Feeling!

Released: Highest chart position: 2 The most recent single to feature in our top 10, 'Can't Stop the Feeling! Timberlake stars in the film itself as loveable grump Branch. It was co-written with Max Martin, the man responsible for co-writing hits like Britney Spears' ' Daft Punk — Get Lucky feat.

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Starships - Nicki Minaj 7.

Pumped Up Kicks - Foster the People 4. Timber - Pitbull featuring Kesha 8.

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